E'thaan Design Studio Defence Colony, Delhi

Our largest range of lights is based on the use of sanjhi or paper cutting craft in combination with wood and bamboo. These designs create moods with colours and texture accentuated by light quality through the lattice cut work.The range of bamboo lights for the table, wall and ceiling have a natural and simple feel which suits the outdoor look. Minimally and finely carved wooden lights form yet another range of lights for the more elegant look.

Carpentry is actually one of the oldest and most difficult of hand crafts but despite its obvious importance continues strangely to be ignored as craft. The development of hand tools in this craft has been significant but the art of fine wood based craft has deteriorated significantly with the use of laminate and board in recent years. Our master artisan instructor Mohammad Kamil from Uttar Pradesh, who thrills with his knowledge of wood and expertise has a long lineage of fine craftsmenship in his blood.

It is not typical or singular but diverse in style and content as the many peoples and cultures it represents. We work with the many exciting and varied Indian craft traditions from Nagaland to Kashmir and seek to create an Indian design identity that we can call our own. A path that leads away from the typical abstract style of the steel and glass western contemporary. A path that belongs to today and still retains the quality of warmth that comes from the embers of an old fire.

Number Of Flower : Handicraft Furniture, Hand made lights and tableware

Material : Bamboo, Wood

Shape : Rectangular, Round, Square

Thickness : Multiple

Application : Home, Hotel, Restaurent

Feature : Attractive Designs, Corrosion Proof, Easy To Place, Quality Tested, Stylish

Appearance : Rustic creative

Finishing : Polished

Height : Multiple

Country of Origin : India

These stencils were used to make rangoli patterns on walls and floors and were traditionally based on the ras leela tradition and comprised mainly Radha Krishna themes and motifs. They later broadened to include a number of Mughal motifs -jali patterns and animals and flowers. It is an extremely fine skill using only a pair of small scissors which this family of brothers-Ajay, Vijay and Mohan continues to keep alive. The designs bring out the fineness and beauty of this ancient skill which was otherwise invisible in their use as stencils.

This extremely intricate work finds its origins in the ivory carvers of old. They had to reinvent themselves to sandalwood carving when the ivory trade was banned. Then further look for a material to suit their craft when sandalwood came under a similar ban. The use of fine chisels hammered lightly into exotic soft woods like ebony, kadam and rosewood creates beautiful mughal jaali like patterns in miniature.

Carpentry is actually one of the oldest and most difficult of hand crafts but despite its obvious importance continues strangely to be ignored as craft. The development of hand tools in this craft has been significant but the art of fine wood based craft has deteriorated significantly with the use of laminate and board in recent years. Our master artisan instructor Mohammad Kamil from Uttar Pradesh, who thrills with his knowledge of wood and expertise has a long lineage of fine craftsmenship in his blood.

Nagaland resonates with a rich art and craft tradition which has its roots in its animistic past. The product designs that have been developed with our main craft instructors and associates -Nungshi Renba and Khrolo alongwith other young artisans in , combine both wood carving and bamboo-cane work in the same product. The designs explore a combination of different motifs, textures and finishes while retaining a distinctly Naga spirit.

Nagaland resonates with a rich art and craft tradition which has its roots in its animistic past. The product designs that have been developed with our main craft instructors and associates -Nungshi Renba and Khrolo alongwith other young artisans in Nagaland , combine both wood carving and bamboo-cane work in the same product. The designs explore a combination of different motifs, textures and finishes while retaining a distinctly Naga spirit.